Riddled With Absence
by Dalibor Cruz
jack-chuter
jack-chuter
I absolutely love this. Ferocious rhythms that keep coming back, twisted and distorted on the fly. There's no doubt that Dalibor Cruz is hauling this stuff up from the core of his being.
CBDiabla
CBDiabla
Glitchy, bleak, angst infused beats that penetrate the soul. The Punta influence results in fantastic drum rhythms that are conductive to frantic booty shaking.
Favorite track: Seen as Scum.
Anatolian Weapons
Keene
dede
gummuh
Kuiper Belt
Robert McDonnell
lee boyce
grzanka
Alan Karlik
Tom Dale
OREL
Kanada Tatsuji
Zeena the Psychedelic Unicorn
fredrikveiga
idEntity
echoegarden
Athene
Jeff Klein
小夜子
gabriel1993
Mediopelo
jesssssssse
savemylove
Aloysia she/her
MVQX
ktz
esse-ran
Rose Knapp
Lyyynnndddooonnn
Mtborracho
DorkChisel
Pharmakathartic
Derek Navardauskas
axolotlprime
MGL
Joe Howell
linnkü
Mr.Modular
rosa_calix
Lovatron
JOSHUA KOLB
mikey 🕸️🕷️🩶
azmotronik
D
Kano
acame
jr_dee_the_chrome_child
thievingdogs
Nigel Yang
شامان
Kanta
zpnaylor
petalslip
dontbreakme
Aki Flops
tdmn
rfí adrian
gedankendelikt
Martin Bleicher
TRIGGER OBJECT
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
£4.99 GBP or more
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Record/Vinyl + Digital AlbumHoused in double-printed sleeve with front panel artwork by Gabrielle K. Brown
Ltd Pressing.
Mastered by Roel Weerdenburg
Design by Alex Hall
Includes unlimited streaming of Riddled With Absence via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 5 daysPurchasable with gift card£12.99 GBP or more
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1. |
Debase
06:24
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2. |
Seen as Scum
05:45
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3. |
Restored
01:20
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4. |
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5. |
Rhythm Gore
02:46
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6. |
Gool
03:55
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7. |
Everyone's Ill Will
05:53
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8. |
Untitled
05:28
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about
‘Riddled With Absence’ is a record I made in isolation due to the pandemic. Absent from everyone. Friends, Family; only me and my work station, which I describe as my pod. The isolation was a blessing I never knew I needed. It helped me figure out what I wanted for myself, my sound and my life in general. The album has a lot of rhythmic elements to it and a lot of ethnic percussion, some sample based and others played by me on a Darbouka and mini Pakhawaj. Rhythm has always been a driving force behind my music. My father being from the mountain town of Siguatepeque, Honduras, rhythm has always been apart of my life. Growing up listening to Merengue, Salsa, Cumbia and Punta.
Punta, which is a very rhythmic and fast music originating in Honduras with African Roots, has always captivated me, a massive inspiration for me and my music. The Polyrhythms and the sheer passion and energy of the people playing the instruments… and the pride I have for my people of Honduras. The cover of the record is done by Gabrielle K. Brown and thought it was a perfect image for the record. Depicting ancient Natives and Divine Intervention, this spoke volumes to me because my father is a Native of Lenca Descent (Natives of Honduras) and the ancients rhythms that come naturally to me.
I’d like to end this with dedicating this record to my Brother, Brandon Paz. He passed away, taking his own life this past December (2002-2020). He was everything to me. And he was an absolute massive inspiration to me and my art. He passed on the same day as Harold Budd, so I’d like to think they’re hanging out, enjoying a drink and some music. Please never shut yourself out if you need help, reach out to someone. Anyone, because the hurt and pain that comes with a loved one’s absence, is nothing anyone should endure. I guess you can say when I named this album, it was some sort of premonition of the future. This record and every record I make after… is dedicated to my brother Brandon. RIP Brandon. I Love You.
Punta, which is a very rhythmic and fast music originating in Honduras with African Roots, has always captivated me, a massive inspiration for me and my music. The Polyrhythms and the sheer passion and energy of the people playing the instruments… and the pride I have for my people of Honduras. The cover of the record is done by Gabrielle K. Brown and thought it was a perfect image for the record. Depicting ancient Natives and Divine Intervention, this spoke volumes to me because my father is a Native of Lenca Descent (Natives of Honduras) and the ancients rhythms that come naturally to me.
I’d like to end this with dedicating this record to my Brother, Brandon Paz. He passed away, taking his own life this past December (2002-2020). He was everything to me. And he was an absolute massive inspiration to me and my art. He passed on the same day as Harold Budd, so I’d like to think they’re hanging out, enjoying a drink and some music. Please never shut yourself out if you need help, reach out to someone. Anyone, because the hurt and pain that comes with a loved one’s absence, is nothing anyone should endure. I guess you can say when I named this album, it was some sort of premonition of the future. This record and every record I make after… is dedicated to my brother Brandon. RIP Brandon. I Love You.
credits
released March 4, 2021
license
all rights reserved
tags
about
Natural Sciences Manchester, UK
From Manchester across the global underground since 2015.
*Please note: all orders are shipped by standard / un-tracked post unless requested
discography
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May 2024 -
Dec 2023 -
Nov 2023 -
Oct 2023
contact / help
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